A multi-dimensional exhibition in Venice, co-curated by Flora Fairbairn and James Putnam

13 May – 26 November

In the intimate 16th Century Church of San Gallo, just yards from St Mark’s Square, is Paul Benney’s Speaking in Tongues exhibition.  A sound and visual feast which represents the culmination of many months of planning and collaboration fuelled by Benney’s creativity and vision. 

On entering the church, the visitor is transported into another world. Accompanied by a powerful holosonic landscape of sound, each of the 12 characters in the 3.5m painting recount intimate life-changing moments. The experience transports one into a reflective oasis and a mesmerising moment of calm and it can feel as if you have stepped into the painting, or that the characters have stepped out. As the visitor moves around the church, the hushed murmuring sound that one had encountered on arrival, is transformed into a clear stream of personal monologues, that one-by-one, seem to reverberate through one’s own head. 

The exhibition, picked as a highlight of the 2017 Venice Biennale in The FT's How to Spend It, has been a joy to work on. The outstanding reviews have been an added bonus to the pleasure of working with a brilliant team and a multitude of fantastic supporters. 

The Venice Biennale has been described as a ravishing carousel of international art, where no two people see the same Biennale, as there is so much to see.  It's an amazing experience to be immersed within thousands of exhibits dotted all over Venice, and the glowing reports from visitors experiencing Paul Benney’s exhibition has made the 2017 Biennale all the more magical.

Posted by Flora Fairbairn

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Spring heralds the return to an old friend with the London Original Print Fair at the Royal Academy. Having been involved with the fair in some capacity since 2000 and responsible for the very successful PR campaigns for 5 years, it is always a treat to return to the world of print makers, dealers and general print enthusiasts. This year, like all others, brought together some of the leading contemporary artists in support of the medium.

The LOPF truly is the "artist’s own fair" with many wondering the aisles of the Fair including the genius Norman Ackroyd alongside his fellow RA’s Peter Blake, Paula Rego, Cornelia Parker, Bob & Roberta Smith, Basil Beattie Tess Jaray and Gavin Turk. Print makers celebrating the age long traditions also included Glenn Brown, Tom Hammick, Ben Eine and Weimin He – Browns, fantastic after Half Life (after Rembrandt) capture the very essence of printmaking as they showcase how prints have been at the heart of artistic practice for centuries but continue to develop new and wonderful techniques.

Collaborating with Alison Wright on the communication campaign, this year’s audiences increased by 12% with peak sales at the Private View and buzzing Young Collectors evening. It is always a pleasure working with print makers, capturing the essence of their craft and sharing this, through well informed media, to those who can appreciate the wealth of the print.